Page 15 - All India Magazine Apr-2024
P. 15

beauty, an unseizable secret of divine harmonies, the compelling
        magic of an irresistible universal charm and attraction that draws
        and holds things and forces and beings together and obliges them
        to meet and unite that a hidden Ananda may play from behind the
        veil and make of them its rhythms and its figures. This is the power
        of Mahalakshmi and there is no aspect of the Divine Shakti more
        attractive to the heart of embodied beings. Maheshwari can appear
        too calm and great and distant for the littleness of earthly nature
        to approach or contain her, Mahakali too swift and formidable for
        its weakness to bear; but all turn with joy and longing to Mahalak-
        shmi. For she throws the spell of the intoxicating sweetness of the
        Divine: to be close to her is a profound happiness and to feel her
        within the heart is to make existence a rapture and a marvel; grace
        and charm and tenderness flow out from her like light from the sun
        and wherever she fixes her wonderful gaze or lets fall the loveliness
        of her smile, the soul is seized and made captive and plunged into
        the depths of an unfathomable bliss. Magnetic is the touch of her
        hands and their occult and delicate influence refines mind and life
        and body and where she presses her feet course miraculous streams
        of an entrancing Ananda.
            And yet it is not easy to meet the demand of this enchanting
        Power or to keep her presence. Harmony and beauty of the mind
        and soul, harmony and beauty of the thoughts and feelings, harmo-
        ny and beauty in every outward act and movement, harmony and
        beauty of the life and surroundings, this is the demand of Mahal-
        akshmi. Where there is affinity to the rhythms of the secret world-
        bliss and response to the call of the All-Beautiful and concord and
        unity and the glad flow of many lives turned towards the Divine,
        in that atmosphere she consents to abide. But all that is ugly and
        mean and base, all that is poor and sordid and squalid, all that is
        brutal and coarse repels her advent. Where love and beauty are
        not or are reluctant to be born, she does not come; where they are
        mixed and disfigured with baser things, she turns soon to depart

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